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Grandma Dorothy

08 Sunday Sep 2013

Posted by Kate in Memories

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childhood, family, grandchildren, grandma, memories, stories

I just finished making a batch of chocolate chip cookies with Lily.  We don’t bake very often, but when we do she loves to add the ingredients and crack the eggs and try one chocolate chip or four, “Just to make sure they’re good.”

Chocolate chip cookies always remind me of Grandma Brown.  Whenever we would make the trek up to San Jose to visit her, she would have a couple of batches ready for us, stored in the old yellow Tupperware container on top of the fridge.  She was a cookie baking sort of grandma.

I had a deep, sweet relationship with my Grandma Brown.  Or Grandma Dorothy, as we sometimes called her, as she called herself. For most of my childhood years, she lived less than a mile away.  She moved when I was ten, but our relationship was already cemented in the hours spent together, the lounging hours, the hours at bedtime.

She will always be sixty-two in my memory, the age she was in my childhood.  Sixty-two, still working in the credit department at Robinson’s with her stylish outfits and honey-colored hair and high heels.  Petite and pretty, sipping a glass of Chardonnay on our back patio after a long day, listening to the Dodger game on the radio while my dad grilled Chris & Pitts hamburgers.  The backyard would be streaked with late afternoon sun, the grass damp from the sprinklers, everything golden and sparkling.  Vin Scully’s voice takes me right back there, and there is Grandma Dorothy, sipping her glass of wine, sneezing those tiny sneezes if she had more than half a glass.

On many Friday nights, my parents would go out to dinner–I remember them standing there in the foyer in their dressy clothes.  And we would stay home with Grandma Dorothy.  I remember her voice in the dark of the room I shared with my two sisters, guiding us back through the decades and across the prairie to her childhood on the farm in Montana.  We would marvel at the stories of barn dances, of the piano they raised with a winch to the barn loft.  You could feel the heat of the farm families packed into the barn, skirts swirling and twirling, boots stomping, cheeks flushed as the music filled the evening air.  We would giggle as she told us about doing her chores barefoot in winter, leaping from one pile of manure to another to keep her feet from freezing as she fed the animals.  We loved the tale of Uncle Bud tossing the rotten apples to the pigs, and the hilarity which ensued when the whole lot of swine became intoxicated.  We could see the young Dorothy who fell in love with the dashing young Bill Brown, playing her favorite tune at The Palm, necktie draped over his trumpet.

I was her eldest–the eldest of her five granddaughters.  And she was the eldest in her family, the first of three girls and a boy.  She always called me her eldest.

And when I think of it, I could cry for missing her.

When Jack scrunches up his nose just so, I can see her.  And I see more of her in my reflection every day.  I grew up looking like my mom, but now I look more and more like a Brown, more and more like Grandma Dorothy.

Grandma, Grandma, and Dad

Write. Every day.

05 Friday Jul 2013

Posted by Kate in Writing

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fiction, non-fiction, stories, writing

My uncle Bill gave me some good advice once: Write. Every day. Write something. Make an appointment and write. Just write.

That was a three years ago.

His advice came as I spent time each week working on a book that would be published under his name; and, indeed, that was only fair, since a great amount of the prose in that book was taken from two of his other books, edited down with some original devotional material added by me. It was a book that is now available on Amazon. I have two trim copies sitting on my shelf in their pale blue spines, read a few times, awaiting an audience that might appreciate their advice. But they don’t feel like mine, even if they contain sentences that I crafted and ideas that came from my mind. They feel like visitors who stayed with me for a while, visitors who enjoyed my hospitality and became good friends but now have gone about their independent lives without me.

Still, that book gave me reason to write. Maybe not every day. I had a baby and a toddler and my time at home was a jumble of Cheerios and board books and Elmo. But a couple of times each week, my beloved babysitter would drop by or it would be time for preschool and I would go to the coffee shop at the bottom of the mountain and write. And edit. And write more. I would write for seven hours, and then come home to my sweet babies.

I have always known that I wanted to write. Somewhere in my garage in a weather-sealed tub of journals, my twelve-year-old self laments, “I want to write. I have the urge. But that is all–an urge. Nothing more.” And I return to that sentiment again and again, knowing as well as that twelve-year-old person the difficulty of committing words to paper.

I wrote stories as a child. Pages and pages of fiction, booklets of poetry, and one modestly famous (in my nine-year-old mind) forty-stanza poem called The Dog Star. It was the highlight of my elementary literary achievement, appearing in abridged form (because really, who on earth would want to read a forty-stanza poem created by a fourth grader about an inventive farmhouse dog) in our school newsletter.

It’s difficult to peak at age nine.

I still remember writing that poem, sprawled out across my faux-quilt comforter in its calming shades of pink and green and white and yellow. I remember my parents in their bedroom across the hall, and shutting them out with a close of my door as the words flowed effortlessly onto the paper. I emerged after a couple of hours with my masterpiece in hand. I knew it was a winner. My classmates offered encouragement, and I was proud of my achievement, not with a haughty pride but with the pride that a sometimes-melancholy, bespectacled nine-year-old with ribbon barrettes needs to experience once in a while.

That poem would probably have passed into complete obscurity in my memory were it not for my fourth-grade teacher. He celebrated my poem. He had me recite it in front of my classmates and their parents at a class poetry reading. He recommended to my parents that I would benefit from reading the poetry of Robert Service–a very important-sounding and significant recommendation in my young mind, as if my life as a poet were laid out before me and was mine for the taking.

Write. Every day.

This is advice that I have not taken. I used to journal religiously–I have dozens of volumes crammed with my terrible handwriting, handwriting that was the subject of concerned, hushed conversation between my mother and Mrs. Merrill, the oft-maligned and strict-yet-undeneath-it-all-quite-dear third grade teacher. Those conversations resulted in a summer course of handwriting practice. Handwriting! Archaic now. But I’ve always been self-conscious about my handwriting. And now I type.

But I digress. I have journals crammed with thoughts. And then many more journals lost to computer upgrades and obsolete disk formats. I have dozens of pages of potential novels that have also been lost to the even-changing technological archive, but I doubt that we have lost anything of true value in the shift. I wrote for classes, of course. But though I was an English major in college, I don’t remember studying the art of writing. I read, I researched, I analyzed, I wrote, I became a historian. I pursued history to understand the context of the literature I loved, and ended up falling in love with history even more. Yes, I wrote–my 125-page thesis on Everyman was the triumph of my first Master’s degree. But when did I stop writing just for the fun of it?

A second Master’s degree was less about writing and much more about surviving. I loved studying in New York. I loved living ten blocks from The Cloisters, and losing myself in the medieval beauty, the stately crypt and the bejeweled manuscripts. My thirsty soul soaked it up. I read medieval drama, I studied medieval art and architecture, I soldiered on as the fellow in Medieval Studies and published the newsletter and tried to cram in my French and thousands of pages a week of reading. And I fell in love. Not with my program–with my husband. I met him two days after arriving in NYC and while I emerged from my year in New York clutching my hard-earned Master’s, I was far more ecstatic that I had met the love of my life.

Write. Every day.

As a newlywed, I had one month to finish all of the revisions on my thesis–a work which, unlike my first thesis, did not have my heart. It was utilitarian. It looked at some interesting questions. It checked the box. But I had set off for Fordham to become a doctor of medieval theology and history and spirituality, and only found one professor who seemed remotely interested in those particular questions. And so, I set that dream aside. Or, perhaps more honestly, I followed that dream to its logical end and realized that I didn’t want what lay at the end of that path. And in the crush of study, I had all but stopped writing anything with soul. I don’t blame that particular program–I was writing all the time. But I lacked the mental space and breathing room to create anything real.

Do other writers require space?

They must not, if they write every day. And perhaps I don’t either.

That was ten years ago. I finished my second Master’s degree, defended it, moved cross-country, got married, and settled into life as a newlywed in the span of four short weeks. Ten years ago.

In the past ten years, I have taught sixth grade, tossed out and re-written a Bible curriculum for said sixth graders, moved again, had two children, led worship, written songs, survived the blur and joy of small children, moved a third time, and begun a new life by the sea.

But I have all but stopped writing.

I think I need to write. Every day. Just write.

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